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roopam mahat te bahuvaktranetram
mahaabaaho bahubaahoorupaadam
bahoodaram bahudamshtraakaraalam
drishtwa lokaah pravyathitaastathaa'ham // 11.23//
Having seen Your immeasurable form with many mouths and eyes, O Mighty-armed, with many arms, thighs and feet, with many stomachs and fearful with many tusks, the worlds are frightened and so am I.
These terms of poetic description bring about the universality and omnipresence of the Supreme. The Universal form of the Lord reveals to Arjuna the malevolent and benevolent aspects of the creation both of which are necessary to complete the picture and understand the whole containing the pairs of opposites.
nabhahsprisham deeptamanekavarnam
vyaattaananam deeptavishaalanetram
drishtwaa hi twaam pravyathitaantaraaatmaa
dhritim na vindaami shamam cha vishno // 11.24 //
On seeing You (Your Form) touching the sky, shining in many colors, with mouths wide open, with large fiery eyes, I am terrified at heart and find neither courage nor peace, O Vishnu !
The vision experienced by Arjuna here is not actually a physical appearance but a wide, all pervading manifestation of the Lord signifying the omnipotence of the Supreme. Arjuna feels that His Universal Form has a definite shape and color which is so uncommon and terrifying that he has no courage to face it.
damshtraakaraalaani cha te mukhaani
drishtwaiva kaalaanalasannibhaani
disho na jaane na labhe cha sharma
praseeda devesha jagannivaasa // 11.25 //
When I behold your mouths striking terror with their tusks, like Time’s all-consuming fire, I am disoriented and find no peace; be gracious, O Lord of the Devas, O Abode of the Universe.
Pralaya Fires: The fires which consume the worlds during the final dissolution of the universe. Time (Kala) is the consumer of all that is manifested. The tremendous experience has in it elements of astonishment, terror and rapture. In this condition of extreme wonder an individual loses his vanity and stands before the Cosmic Power with utter humility and self-surrender.
amee cha twaam dhritaraashtrasya putraah
sarve sahaivaavanipaalasanghaih
bheeshmo dronah sootaputraastathaa'sau
sahaasmadeeyairapi yodhamukhyaih // 11.26 //
vaktraani te twaramaanaa vishanti
damshtraakaraalaani bhayaanakaani
kechidwilagnaa dashanaanthareshu
sandhrishyante choornitairuttamaangaih // 11.27 //
All the sons of Dhritarashtra with hosts of kings of the earth, Bhishma, Drona and Karna, along with the chief warriors on our side too - enter, hurriedly, your mouths with terrible teeth and fearful to behold. Some are found sticking in the gaps between the teeth with their heads crushed to powder.
These strange descriptions of The Lord or the Cosmic Form are to reassure Arjuna as to how the forces are entering into the inescapable mouth of time `kala' and disappear. Destruction always precedes construction. Here the power of destruction of the Supreme as well as His ugly and bitter forms is given.
The Multiplicity that has risen from the Totality, after its play upon the surface of Truth, must necessarily rush back in all hurry into the very whole from which it had risen up. Arjuna thus observes Bhishma, Karna etc entering into the mouth of the principle of destruction as represented by the Cosmic Form. This sight not only frightens Arjuna but generates in him self-confidence to face the events of future.
In the Universal Form of The Lord wherein He expresses Himself as the entire world of phenomena indicating the principle of oneness, the concepts of space and time disappear. Therefore, when the whole Universe is brought together at the same time and place Arjuna could see the past, present and the future.
yathaa nadeenaam bahavo'mbuvegaah
samudramevaabhimukhaah dravanti
tathaa tawaamee naraloka veeraa
vishanti vaktraanyabhivijwalanti // 11.28 //
Verily, as many torrents of rivers flow towards the ocean, so these heroes in the world of men enter your fiercely flaming mouths.
yathaa pradeeptam jwalanam patangaa
vishanti naashaaya samriddhavegaah
tathai va naashaaya vishanti lokaas
tavaapi vaktraani samriddhavegaah // 11.29 //
As moths hurriedly rush into a blazing fire for their own destruction, so also these creatures hurriedly rush into your mouths for destruction.
The essential oneness between the manifest (river) that has come out of the unmanifest (ocean) and the very unmanifest which is the source of all manifestation has been illustrated in this verse. It is also to be noted that the manifest looses its name and form and becomes one with the unmanifest at the end of its journey. The projection of unmanifest to the manifest-condition is the process of creation and that the manifest merging back to its own sanctuary of the unmanifest is destruction or death.
These two verses vividly illustrate how the assembled warriors rush to destruction, out of their own uncontrollable nature, with or without discrimination.
As the rivers flow towards the ocean, as the moths fly into the fire, so too all names and forms must, that too willingly, rush towards the unmanifest. If anyone realizes this, he can live without fear of death with the full understanding that life is nothing but a process of continuous change.
“These beings blinded by their own ignorance are rushing to their destruction and the Divine Controller permits it, as they are carrying out the effects of their own deeds. When we will a deed, we will its consequences also. The free activities subject us to their results. As the law of cause and consequence is an expression of the Divine mind, the Divine may be said to execute the law. While we think consecutively, Divine mind knows all as one. There is no past or future to It”. Dr.S.Radhakrishnan.
lelihyase grasamaanah samantaal
lokaan samagraan vadanair jwaladbhih
tejobhiraapoorya jagatsamagram
bhaasastavograah pratapanti vishno // 11.30 //
Swallowing all the worlds on every side with Your flaming mouths, You are licking (in enjoyment) Your lips. Your fierce rays, filling the whole world with radiance, are burning, O Vishnu!
The principle of destruction is never ending. Hence Arjuna exclaims `You are swallowing the entire world and licking Your lips in enjoyment'. This verse gives us an idea about the Trinity viz. Brahma, Vishnu and Maheswara. Death, birth, sustenance and again death is the continuous process of existence which is revealed in the Cosmic Form. Arjuna thus notices Its resplendency and wonders about the fiery radiance of the fierce rays of The Lord.
aakhyaahi me ko bhavaanugraroopo
namo'stu te devavara praseeda
vijnaatumicchaami bhavantamaadyam
na hi prajaanaami tava pravrittim // 11.31 //
Tell me who You are so fierce in form. Salutations to You, O God Supreme, have mercy. I desire to know You, the Primeval One. I know not indeed Your purpose.
The disciple seeks for deeper knowledge. Arjuna, realizing the sanctity and divinity of The Lord's power, bows down and humbly requests Him to tell him who He is. He refers to The Lord as Primeval One (Original Being).He asks Him His purpose or His mission in taking such a terrible form and presenting Himself before him exhibiting how the Kaurava forces are going in all hurry towards their destruction.