How we are free in a
world of natural laws and order is one of the deepest mysteries of our lives.
The Vedas provide a subtle resolution which is hinted in terms of riddles and
paradoxes, which for some means nothing but other learn to understand by
reasoning and spiritual practice.
One of these riddles is
Goddess Durgā who rides a lion. If you look at the image you will call it idol
worship but it encapsulates the answer to our mystery.
The image of the goddess
with the lion represents both the free-wheeling Nature, which evolves by
natural law (ṛta), as well as the control of it by higher agency. In
the domain of human life, Nature is the complex of the instincts that is
epitomized by the freedom of the mount. Yet, the Goddess by virtue of the power
of the spirit, quite like the dṛṣṭi-sṛṣṭi of Vedanta (consciousness controlling the physical world, which has the analog of observation guiding physical process in quantum theory) is able to command the beast and make it do
what she wants. The symbolism is thus informed by deep Vedic insights.
Goddess Durgā is also
called Ambikā, or in short just Ambā (Mother), or Devi Ambā. The Śrī Sūkta
gives several other names of the Goddess including Ārdrā (“of the waters” in ŚS
13), and she is compared to the moon illumined by the sun. Indeed, it is the
light (the illuminating self behind the observation) that makes her auspicious
(ŚS 8). The Ārdrā reference is to creation emerging out of the womb of the
primal waters.
In a previous essay I spoke of the Sogdians of Central Asia, who for centuries
controlled the trade on the Silk Road. With their center in Samarkand and
Bukhara, until 1000 CE, this helped them spread their religion and art from the
eastern corner of Asia to the edge of Danube in Europe. Their language, which
became correspondingly influential, has much affinity with Sanskrit, as was the
case also with the languages of Khotan to the east.
The scholar Marshak
summarizes thus: “From the third to the eighth century Sughd [Sogdiana], which had originally lagged behind its neighbours to the south and west, became one of the most advanced countries and the leader of all Transoxania. It was neither a powerful state itself nor firmly subjected to any of the neighbouring empires. From the second or first century BCE each district had developed independently, maintaining ancient community traditions. Private individuals such as merchants, missionaries and mercenary soldiers were extremely active and penetrated into distant lands. Thus political isolation did not entail cultural isolation.
Here I wish to add to the
fascinating history of their religion. Until the end of the first millennium
CE, the religions of the region included the dualistic Zurvanite Zoroastrianism
and Manichaeism along with Buddhism, Hinduism, and Nestorian Christianity. The
currency of Hinduism is seen in the worship of Brahmā, Indra, Mahādeva (Śiva),
Nārāyaṇa and Vaiśravaṇa (Kubera).
It is remarkable that
Sogdian Buddhist and Manichaean texts mimic the Vedic trinity and use Hindu
symbols. Zurvan (who symbolizes Time, Avestan zruuan from
Sanskrit śravaṇa) is depicted in the form of Brahmā, Adbag
(Ādibhaga, the first god) is in the form of Indra (Śakra), and Veśparkar (Vāyu)
in the form of Śiva (Mahādeva). This use of Hindu
symbols by competing religions shows the great influence of Hinduism in Central
Asia during that period. Since the Sogdian state was not strong, it
became possible for the folk religion to gain expression in uniquely new ways.
The Jats were most likely one element of the population in Sogdiana, and thus one source of the Hindu
influence.
Hindu images indicate
that the religion was popular in the general population, even when the ruling
class patronized others. This is not very different from the situation in India
under, say, Buddhist rulers. The reason for this is that the Vedic religion is
a personal path to knowledge and until the time of Ādi Śaṅkara it had no
organized system of monks or nuns.
The worship of the
goddess is a central aspect of lived Hinduism, because to reach the heart of
awareness, one’s true self, one must use the “shadows” of it in
the inner sky of our mind. The
false associations (represented by the buffalo demon) are destroyed by the
power and light of Durgā, and so the goddess symbolizes the path of active
search for knowledge that transcends sectarian worship. Not surprising then,
that the worship of the goddess was a key element of the Sogdian religion.
Goddess Nana
Nana is attested by name
on a coin of Sapadbizes, a first-century BCE king of Bactria. She also appears
on the coins and seals of the Kushans. The Rabatak inscription of Kanishka I invokes her in claiming
that the kingship was obtained from Nana and from all the gods. The inscription
also claims that the language of the Kushans was “Aryan”.
A four-armed Goddess Nana
with lion as her vāhana (mount) is seen painted in a palace
in Panjikent near Samarkand. Nana is the equivalent of Goddess Durgā, who is
also known as Ambā. Indeed the complete Sogdian name of Nana in the Sogdian
script rendered in modern Latinized form is
nnδβ’mbn
nǝnǝ-δβāmbǝn: Nana-debi-amban | नाना देवी अम्बा
Since Ambā (Universal
Mother) is the original name and Durgā (Unassailabe) just an appellation, we conclude that Nana Devi Ambā is indeed the same as
Durgā.
Note that Durgā is
called Nani
in shrines as far as Baluchistan and Naina Devi in
Himachal Pradesh. The latter variant means “Goddess with [Beautiful] eyes”
which stresses the “command from seeing aspect” of the deeper intuition.
Goddess Mīnākṣī, मीनाक्षी,
“fish-eyed one”, also stresses the same insight.
For related goddesses in
lands further off, note Nane (Armenian: Նանե, Nanė) is an
Armenian mother goddess who is also the goddess of war and
wisdom. She was depicted as a young beautiful woman dressed as warrior, with
spear and shield in hand. This is quite like the Greek Athena, with whom she identified in the Hellenic period. Babylonian Nana and
Sumerian Nanai were most likely the same goddess.
Goddess Anāhitā
Anāhitā is
the Old Persian form of the name of a goddess who
was earlier known as Aredvi Sura (Ārdrāvī Śūrā), आर्द्रावी शूरा (of the
waters and mighty). Anāhitā, अनाहिता,
immaculate, is an appellation quite identical in meaning to Nirañjanā, निरञ्जना.
Goddess Anāhitā remained
extremely popular in Iran until her worship was suppressed by an iconoclastic
movement under the Sasanians (who ruled 224–651 CE), indicating the influence
of Devi Ambā in lands further south and southwest of Sogdiana.
Here are some relevant
words from the Sogdian vocabulary that indicates their Sanskrit origin:
zrγwny zǝrγōnē, fem.
zǝrγōnǝč: green | हरिगुणी
zrw’βγ zǝrwā-βǝγ:
God Zurwān, | ज़ुर्वा-भग
smyrγr sǝmīrγǝr: Mt.
Sumeru | सुमेरु
stβt stǝβd: hard, harsh,
fierce| स्तब्ध
stryc, plur. stryšt
strīč, strīšt: female, woman |स्त्री
swβtγwš suβd-γōš:
whose ears are pierced, having pierced ears | सुविद्ध => सुब्ध ; श्रोत्र => गोश;=> सुब्ध-गोश
rwxšn’γrδmn
ruxšnāγǝrǝδmǝn fem.: the Light Paradise | रुच-सान गर्तम् => रुखसान गर्तमन
sm’n smān: heaven |अश्मन, आसमान
sm’nxšyδ smānxšēδ:
Ruler of Heaven, Rex Honoris |अश्मन-क्षत्र
smwtr sǝmutr: ocean (Skt
samudra) |समुद्र
Names of the
Goddess
Devi Ambā has many names
that emerge from the different facets of the mind. She is Sarasvatī, Lakṣmī,
and Pārvatī seen through the lenses of learning and knowledge, fortune and
prosperity, and strength and devotion. Durgā is the name of Pārvatī when she
fights the demons of ignorance and materiality.
These goddesses defined
the lived religion across the entire ancient world. For example, Kishijoten and
Benzaiten are the names of Lakṣmī and Sarasvatī in Japan. Once I travelled from
Perth to Yogyakara in Indonesia to see Durgā in the great Prambanan
temple. The Roma have clung to the worship of Durgā in the form of Kālī,
personification of Time, as Saint Sara.
One must not forget Goddess Lalitā who opens
the doorway to the deepest understanding of the world. In Kashmir she is called Śārikā or Rāgnyā (Rājñī, the Queen).
First published here eSamskriti has obtained permission from the author to share.
Author is also a Scientist.
To read all articles
by the Author
Also read
1 Worship
of god as Mother in Indian Tradition
2 Ambaji Mandir
Gujarat
3 Pictures
of Cultural Documentation of Central Asia
4 Architecture
of the Indonesian Shiv Mandir Prambanan by Subash Kak
5 Naina Devi Mandir Himachal