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Through
a series of references to individual movies the author tells you how Bollywood
distorts Hinduism, makes fun of its beliefs and Hindu characters.
My daughter was insisting
that we watch “funny videos” on YouTube (casting on TV) while she had her
scrambled egg breakfast and waited for her math teacher to show up. When I
started the YouTube app, I came across the trailer of the upcoming Amitabh Bachchan-Rishi
Kapoor flick, 102 Not Out. I like
both the actors, so I insisted that before we proceeded to funny videos, we
should watch the trailer.
They show lots of stuff
in the trailer and eventually, they show that Rishi Kapoor’s character is going
through some existential dilemma and he ends up sitting in a church. Something
in the scene put me off and without making it apparent to my daughter, I
changed the video quickly and loaded one of the funny videos she was insisting
on watching.
After reading what I’m
writing, you may think that I am raking up some conspiracy theory or, I’m one
of those “Right Wing” Sanghis constantly demonizing minorities and claiming
that Hinduism is being targeted.
My grandmother often used
to say that before my birth, she had never seen a disabled person. After my
birth, she could spot people with disabilities everywhere (because I was born
with a disability). My disability sensitized her towards a part of worldly
reality she was totally oblivious to simply because she hadn’t experienced it
herself.
Something of the same
sort happens when you have been sensitized towards a particular issue: you
begin to recognize patterns that others can’t. Of course, sometimes you begin
to see patterns where none exist because you are too eager to find those
patterns. But sometimes these patterns are too obvious.
In the above-mentioned
movie, why did Rishi Kapoor’s character sit inside a church? Why not in a
temple? Is he a Christian? If yes, why does the theme have to be about
Christian characters? Would the characters look uncool had they been
temple-going Hindus? Do the makers of the movie think the urban audience won’t
be able to relate to temple-going characters?
Being one of the major
religions in India, why should there be a problem if a character in an Indian
movie sits in a church, whether he or she is a Christian or not? Of course, in
an ideal world, in a world where all communities are treated equally, all
religions are respected, and thousands of organizations are not converting the
crap out of unsuspecting people, there shouldn’t be a problem. The character
can be from a tiny tribal religion from Andaman Nicobar Islands whose followers
shoot arrows at helicopters thinking that they are giant birds, for all I care.
I’m talking about the pattern.
I’m talking about the passive-aggressive attitude that manifests in Bollywood
films, advertisements, and even popular literature. But, here I’m just focusing
on Bollywood.
Take for example the
above-mentioned movie 102 Not Out. Yoga is made fun of. The grumpy, grouchy, lazy and
timid character played by Rishi Kapoor who has no zest for life does
anulom-vilom. Amitabh Bachchan’s character mocks the swaas-kriya. Subtle, but
such things make strong imprints.
My wife and daughter went
to see Hichki recently,
a story about a woman with Tourrette Syndrome who wants to become a teacher in
a school. Wherever she goes she faces rejection. Guess
who gives her a chance; a Muslim principal of a Christian school. Yup.
PK. Yes, I know plenty has been written on the film
but no harm in repeating it. When many Hindus started protesting that in the
film Hindu gods, especially Shiva, are ridiculed, the makers of the film
insisted that all religions are questioned in the film and to an extent, they
are right.
The small difference is,
whereas all the religions are questioned, Hinduism is
ridiculed, and the ridicule is highlighted in a long sequence when one
of the greatest Hindu gods, Shiva (a person acting as Shiva in a nautanki, not
actual Shiva) is shown crawling under the seats or hiding in a toilet.
Remember that a movie is
a visual medium. Visuals make a great impact.
Read Author
Amish on movie PK
Talking about visuals, I
remember the first visual of a Brahmin scolding a lower caste and making all
sorts of violent gestures just because the person of the lower caste
accidentally bumps into him in a black-and-white movie. That made an imprint
for a long time and whenever I saw a Brahmin or whenever I read about a
Brahmin, that image popped inside my head. Of course, all the atrocity
literature that you constantly come across played an important role too. Until
I started reading alternative literature I always had this underlying negative
attitude towards Brahmins.
Visuals are very
important. If you can see the pattern, you will notice how Bajirao Peshwa has
been depicted in Bajirao-Mastani, how
Maharawal is shown in Padmavati, and
then contrast, how Akbar is shown in Jodha-Akbar.
These visuals are meant for your subconscious.
Coming back to PK,
whereas, when the central character of the film PK questions other religions,
he is not questioning their gods or making fun of their gods, he is simply
questioning the way people try to placate the gods or try to make profit out of
people’s blind belief.
But when it comes to a
Hindu god, the very existence of the gods is questioned,
and not just questioned, ridiculed, lampooned. Even the main godman in the end
who questions and torments the female character is a Hindu, and not a Muslim or
a Christian. If you say this is because maybe the female character was a Hindu,
then in this case, why not have a Muslim female character or a Christian female
character? There was no particular reason for the female character to be a
Hindu, just like there is no particular reason for Rishi Kapoor’s character in 102 Not Out to seek solace in a temple
rather than a church.
You may say that Hindus
themselves lampoon their gods and goddesses especially during Ramlila and other
religious festivals, and even in various film comedies, but this is primarily
the impact of a lopsided and motivated popular culture. If you don’t take your
gods seriously, you don’t take your religion seriously, and when you don’t take
your religion seriously, it is easier to convert you.
Have you seen Judwa 2? In the movie there is a song Ganpati Bappa Moriya Pareshaan Karen Mujhe Chhoriya.
Now, what sense does it make to make the central character of the movie sing
such a song in a temple in front of the gigantic idol of Ganpati? The character repeatedly turns his back towards the idol and condescendingly folds his hands behind his head as if doing a favour to the idol by folding his hands. Visuals. Subconscious
Can the same feat,
especially in India, be carried out in a church or in a mosque? If yes, well,
there is nothing to argue about.background:white'>Why don’t Muslims lampoon
their god? In Western societies, whereas Christians do lampoon Jesus, in India
the story is totally different. Why don’t Sikhs lampoon their 10 gurus? Have
you ever seen Buddha or Mahavira being lampooned? No.
In the name of
broad-mindedness Hindus have been made to believe that it is okay to make fun
of their gods.
But then, if it is okay
to make fun of gods, I will ask you again, why isn’t it okay to make fun of a
Muslim god or a Christian god (in India) or a Sikh guru? Can we ever have a
movie showing Allah, Jesus and Guru Gobind Singh Ji goofing around? Theatres
will be burned, and people will be killed.
On the occasion of
Hanuman Jayanti the Indian wrestling champion Babita
Phogat posted this tweet along with Lord Hanuman’s image:
Hanumanji pic tweeted by Babita Phogat
In the tweet she says
that her every act and success is due to the blessings of Bajrangbali, and
people think that she is lucky. She never wrestles without seeking blessings of
Bajrangbali.
Almost all Hindu
wrestlers pray to Hanuman regularly, especially before a match. Even many
non-Hindu wrestlers are Hanuman devotees. I remember when one of my cousins
started wrestling, he became a Hanuman devotee (he’s a Sikh).
Almost every rural and
urban wrestling akhara/gym has a Hanuman idol at some prominent location. He is
the god of wrestlers in India.
Hanuman is my favourite Hindu god and just out of love and emotional connection, I wanted to see what sort of comments people had left. After scrolling a bit, I came across this comment from someone who said there is no reference to Hanumanji in the movie Dangal.
Comment on Babita Phogat tweet
Remember Tamas? The TV series became a rage when it was
broadcast in the 80s or early 90s. The book is written by Bhishm Sahni.
Recently we found the TV series on YouTube and decided to watch it because we
thought it is a gripping story based on the violence that happened during
India-Pakistan partition. There is so much anti-Hindu propaganda in the movie
that after a few minutes everything became so absurd that we decided not to
watch it.
The story begins two
weeks before the partition takes place. In the beginning, they show that the
character played by Om Puri is trying to kill a pig. Although by profession he
is someone who skins dead animals, he is ordered to slaughter a pig by some
powerful person and he has no choice but to kill the animal. It is a very long,
frustrating, 10 minute sequence.
Remember, visuals.
For 10 minutes and more,
you see this person, in darkness, in all ugliness of poverty, with all sorts of
awful facial expressions in close-up covering the entire TV screen, trying to
kill a pig that doesn’t want to be killed, with a knife/ The dead pig is taken
away by the man of the powerful person.
Then later on, it is
discovered that someone has thrown a pig in front of a mosque and there is
tension in their town. He can see that it is the same pig.
Then the news comes that
someone has slaughtered a cow in front of a temple. How do they show the scene?
Some person, you cannot
even make out whether he is a Muslim or not, quickly runs across the frame of
the screen with a cow. That’s it. It’s a hardy 2-second scene.
Then they show something
like the Hindu Mahasabha and the youth being radicalized. It is a complete
half-an-hour sequence in which a timid youth is forced to decapitate a chicken
because eventually, he will have to kill the “enemies”. He goes through a
complete transformation and turns into a maniac. He takes references from
Ramayana and Mahabharata and talks about using bows and arrows with the
capacity of causing light and tender. He goes totally demented, constantly referencing
to Hindu mythology and divine weapons.
Then the youth and his
friends declare that a war has started between them and the “enemies”. They are
even ready to kill their own. To show their seriousness, they must kill an
enemy. It is a tense scene. They’re hiding in a room in an alley. Then an
innocent Muslim perfume seller turns up and the group of youths decide to kill
him. We couldn’t watch beyond that. It was insane.
To portray one side
totally dark, they have gone to ridiculous lengths. They didn’t even care that
at that point, the program seemed like it had been recorded by a bunch of kids,
so silly were the dialogues and individual scenes.
Throughout the series, the Muslim violence is shown from a distance or as reference,
or as noises.
Now that I think of it,
it is so scary.
Brahmins in the movie Guide.
Have you seen Guide? Raju, the character played by Dev Anand,
goes to a village and is confronted by two rotund and cunning-looking Hindu
Brahmins. The pathetic looking Brahmins are constantly shown taking poor,
illiterate villagers for a ride, fleecing money out of them and intimidating
them with superstition. Then Raju has a debate, in English with the Brahmins.
Of course, nobody understands English, not even the Brahmins, but everyone is
so impressed by the fact that Raju can speak English that the Brahmin duo flees in panic. They are literally chased by
lathi-wielding villagers. What does this tell you as a young person?
In a Bollywood movie,
when was the last time you saw a devout Hindu priest being kind to someone, or
finding an orphan and raising him or her, or simply doing lots of good stuff?
You won’t be able to recall. Can’t a Hindu priest or a Brahmin or a godman ever
be noble, righteous and benevolent? How is it possible that amidst such a big
community, Bollywood movie makers cannot conceive even a single such character?
Dharmendra with Satyen K
On the other hand, you can immediately recall a Christian padre or a devout
Muslim raising an orphan or giving an overwhelmingly nice advice to the
hero or the heroine of the movie, or even dying for a cause or for the central
character of the movie. There are plenty of such characters. In Dhool Ka Phool it is a Muslim who raises
the orphan child. In Dost it is
a Christian father who raises the character of Dharmendra.
In Yaadon Ki Baraat,
when the young character of Dharmendra is hungry and desolate and there is no
one to help him, suddenly a young boy sporting a white
skullcap appears, steals food for him, and feeds him. Why couldn’t a Hindu boy
wearing a Hindu topi appear out of nowhere? Again, the visual plays a
very important part.
I’m not saying such
instances are impossible to find in Bollywood movies, but you will really need
to make an effort to find them, whereas, the examples mentioned above can be
found aplenty.
When was the last time
you saw a Hindu priest or a Hindu sadhu molesting a helpless woman or being
nasty to people around him or indulging in all sorts of vile activities? Plenty
of such instances.
In Roti Kapada Aur Makaan,
what exactly was the need to show a person wearing
bhagwa (safron clothing) when Moushmi Chatterjee’s character is
tragically gang raped? Would the scene be less traumatic without such a person
being one of the rapists?
When was the
last time you saw a devout Christian or a devout Muslim (or even pretending to
be one) molesting a woman or being nasty? You won’t be able to recall, because there is none. If there was any,
there is a 100% chance that the movie was banned or something.
Amar
Akbar Anthony. Three small kids
get separated. One is adopted by a Christian Father, another is adopted by a
Muslim person, and third, well, no idea, but since he is called Amar, let’s
assume either he wasn’t adopted at all or some Hindu adopted him, but it is
never shown.
Amar Akbar Anthony
Anthony is shown multiple
times interacting with the Father in the church and even talking to Jesus.
Akbar is shown in a
Muslim atmosphere. He is also shown singing in a Dargah and flaunting religious
garb and moving among Muslim men and women.
Amar simply
exists. He has no other identity. He
is never shown in the proximity of a Hindu god. He doesn’t have a Hindu
guardian. There is nothing in the movie to show that in some way highlights the
Hindu religion.
Hindi language. If there
are chaste Urdu dialogues and poetry in a movie, it signifies romance and
high-class. In most of the mainstream movies, chaste Hindi and poetry either
means a low-budget religious flick or cult movie, or a comedy.
Similarly, characters
speaking fluent English or fluent Urdu are earnest, and are to be respected, but
characters speaking fluent Hindi, for example
Amitabh Bachchan’s character in Chupke Chupke, carries
a funny tinge and hence, shouldn’t be taken seriously, and in fact,
wherever possible, should be made fun of.
You can find plenty of
mainstream songs using incomprehensible Urdu and even Arabic words and phrases
and again, they are a mark of high-class and erudition. A purely Hindi song
becomes a comedy song.
Rukh se, zara naqab
uthado mere huzur, dripping
with cultured Urdu vocabulary, is romantic and mellifluous and even high-grade
poetry, Priye praneshwari, hrideshwari,
in pure Hindi, is used as a comedy song.
Who the hell knows the
meaning of Zihaale-e-masti Makun ba
Ranjish? Still, this song is sung with great flair. Or for that matter,
how many people are supposed to know the meaning of Nukta-chin
hai gham-e dil?
The upcoming Meghna
Gulzar movie, Raazi, is completely in Urdu.
Yes, the theme of the movie is such that there is a Muslim girl who is sent to
Pakistan as an Indian spy so, of course, the primary language would be Urdu.
Maybe when Muslim characters are talking to each other or when the Muslim girl
is in Pakistan. But why does everyone talk in pure Urdu? Even the characters
who might not be Muslim? Have people stopped speaking Hindi at all? Or is it an
Urdu movie (which should be fine if it is, but they should say it so).
In many mainstream movies
you must have seen the hero adorning achkan-churidaar pajama. That was hot couture
and stylish. You could see suave heroes like Rajesh Khanna, Raj Kapur, Rajender
Kumar and Sunil Dutt courting damsels. Whether one lived in Mumbai, Delhi or
Kolkata, it was kosher to wear such dresses. But come dhoti-kurta and it would be either a ganwaar hero who is a gaonwala, or a cheming mama wwho would torment the family of the
hero or the heroine.
Again, I’m pretty sure,
if you cannot detect the pattern, if you are not sensitive towards the
existence of this pattern, maybe what I’m trying to say here will not make
sense.
There is
an entire culture under siege, and people don’t even realize it.
Author is a Content Writer. To know more about him . Article first published here. eSamskriti has obtained permission from author to share.
Also read
1 IIM
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2 It
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3 Vishwaroop
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4 Jodha
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5 Om Shanti Om - Subtle messages by Bollywood