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The
author offers tributes to her four Gurus on the auspicious occasion of Guru
Purnima.
As Guru Purnima approaches,
I offer tributes to my Gurus who have provided help and direction to me and
people in the world.
Guru = Dispeller of Darkness with ‘gu’ meaning Darkness, and ‘ru’ meaning Dispeller.
Guru Vandana:
Gurur
Brahma Gurur Vishnu
Guru
Devo Maheshwara
Guru
Saakshaat Para Brahma
Tasmai
Shri Gurave Namaha
Guru is like Brahma-the creator. He creates or inculcates knowledge in the minds of the students. Guru is like Vishnu – the preserver. He maintains or preserves the knowledge in the students. Guru is like Shiva-the destroyer.
Guru removes the darkness of ignorance from the students’ mind. Guru is hence the manifestation of the Para Brahma
(the supreme essence) within all of us. I offer my pranams to the Guru.
The Guru is God
manifesting in a personal form to guide the aspirant. Grace of God takes the
form of the Guru. To see the Guru is to see God. The Guru is united with God, inspires
devotion in others and his presence purifies all.
Guru is the Moksha-dvara (door to liberation). But it is the aspirant who has to enter through it. The Guru is a help, but the actual task of spiritual practice – Sadhana falls on the aspirant. It takes two hands to clap.
I feel a loving
connection with my spiritual, yoga and artistic Gurus from previous lives. My
life is on a high-flying disc since these divine folks became part of my life.
Aum in Pencil Crayon and ink on paper. Pic by author.
First,
I prostrate to Late Sri Swami Chidananda Ji, Divine Life Society, Rishikesh, India – my Spiritual Guru who initiated me with my sacred Guru mantra, Late Swami Sadguru Sivananda Sarasvati – Divine Life Society, Rishikesh, and late Swami Vishnudevananda – my Classical Hatha Yoga teacher
training lineage. I was taught to teach authentic Indian Classical Hatha
Yoga by disciples of Swami Vishnudevananda, founder of Sivananda Yoga and
Vedanta ashrams.
Both Swami
Chidananda and Swami Vishnudevananda were disciples of Swami Sivananda whose lineage
goes back to Adi Shankaracharya Ji who taught Advaita Vedanta. Words cannot
express my appreciation for my spiritual mantra initiation and subsequent yoga teachers
training and teaching experience. Yoga is the centre of my life.
Next
I prostrate to Guruji Prosenjit Deoghoria – Sangeet Pratishtha Music Academy, Toronto, Canada – My Artistic Guru – Hindustani music: Vocal and Harmonium. Guruji Prosenjit attained his Sangeet Visharad and Sangeet Nipun i.e. Master of Music Degree from the Bhatkhande Sangeet Vidhyapeeth, Lucknow, India. He was the first prize winner, in 1993, of the Maharishi Award in the All India Music competition of khyal singing organized by Maharishi Gandharva Veda Vishwas Vidyapeeth. Guruji was also awarded, in 1991, the National Scholarship by the Department of Culture, Government of India for intensive training in classical music.
Guruji Prosenjit
has also created his own more than 400 Khyals
compositions in different Ragaas and Taals. He is in the process of the
compiling them in the form of a book on Indian classical music.
My life, breath
and voice has taken on an ineffable sweetness since Guruji accepted me as his
student three years ago.
My New Bansuri Painting, Oil on Canvas, I presented to Guruji Deepankar Ganguly. Painting & pic by author.
I prostrate to Deepankar Ganguly, Mississauga, Ontario, Canada – My Artistic Guru – Hindustani music, Maihar Gharana: Bansuri.
From a young age
the Bansuri, or the Indian bansuri, captured his imagination. Guruji Deepankar
learned the Bansuri from his father initially, then from his guru Late Pandit
Malhar Rao Kulkarni. A traditional teacher of the Bansuri, he teaches this
wonderful wind instrument in the tradition of the Guru-Shisya Parampara
(teacher-disciple tradition). He emphasises dedication, peace, connection of
the breath most essential for any wind instrument player to enhance the latent
inner qualities of individuals.
Finally,
I prostrate to Varna Sandeep - Varnanjali Natyalaya, Ajax, Ontario, Canada– My Artistic Guru – Bharatanatyam Dance.
Bharata Natyam is a classical Indian dance form which is a unique blend of footwork, expression and flexible body movements in a meditative state. Varna Ji is the disciple of Smt. Subha Vaidyanathan and Smt. Vidya Venkatesh, of Rajeswari Natyalaya, Chennai. Both her gurus were disciples of Kalaimamani Smt. Krishnakumari Narendaran who runs the Abhinaya School for Bharathanatyam in Chennai. They practiced in the famous “Pandanallur
bani” of Bharathanatyam.
Bharathanatyam
had been part of her life since the age of six. It continues to be her most
favourite passion along with music and writing. Varna Ji believes that
extensive reading and research of Indian history and tradition paves the way to
create and present beautiful, poetic and revolutionary ideas through dance. She
has choreographed several Kautuvams, stuthis and padams in Bharathanatyam that have won her acclaim.
Portrait
of my Dance Guru Varna Sandeep presented to her as gift, in pencil crayon and
Ink. Pic by author.
Varna Ji has
given more than fifty performances and is in collaboration with Madras Arts and
Cultural Association, the Durham Tamil and Malayali Association, Toronto
Malayalee Samajam, Devi Mandir, Richmond Hill Ganesha temple, Kanthaswamy
society and Hindu temple.
Through the
years Varna had the opportunity to dance at various stages including the
Tourism department Government of Tamil Nadu in 1999, where Bharatanatyam was to
be presented as a symbol of tradition to international tourists.
I feel blessed
to find such an authentic dance guru in Canada. She accepts students of all
ages and encourages us to perform annually to help propagate Bharatiya culture.
I consider
myself blessed to be accepted as her beginner student a few years ago at age 50
+ and feel like a sixteen year old dancing for Shiva in my next traditional piece,
called Pushpanjali, at this year’s annual dance recital.
This only proves
that age is just a number. A dancer should be in yogic realm and also
demonstrate skillful steps set in accordance to the rhythm of the music on
stage in order to render the meaning and pleasure of art to the audience.
May all lives be blessed by Guru's grace! Om Shri Gurubhyo Namah.
To read all
articles by author
Also read
1 An Offering on
Guru Purnima
2 On Guru Purnima, a Tribute to my Gurus